David ‘Junior’ Kimbrough was over 60 years of age when he made an impact with his album ‘All Night Long’ in 1992, where his hard-driving juke-joint style showed that down-home country Blues can still rock the room. Junior’s archaic style has the same hypnotic pulse as John Lee Hooker‘s boogies and employs a complex poly-rhythmic timing, fretting the bass strings with the thumb, that harks back to Africa. Born in the hill country of north Mississippi, Junior lived his whole life around Marshall County.
Mississippi Fred McDowell and RL Burnside were influential neighbours and Junior and RL were firm friends who often played together, sometimes with other family members in their bands. Charlie Feathers, the rockabilly star, was another friend who quotes Junior as a major influence, and they recorded together in 1967. Junior also recorded Lowell Fulson‘s ‘Tramp’ for Goldwax in 1967, but it didn’t help that the label mis-spelled it as ‘Tram’ by ‘Jr. Kimbell’. Further recordings for small labels in the 70s and 80s did nothing outside the locality, but Junior never stopped gigging. When writer Robert Palmer made his film ‘Deep Blues’ in 1990, he caught Junior and RL Burnside playing in a juke-joint, showing that the Blues wasn’t about bright lights and shiny suits. Palmer produced Junior’s first major album ‘All Night Long’ for the local Fat Possum label, and Rolling Stone magazine voted it Most Important Blues Album of the Decade.