No. Plenty of good stories came out of Hollywood, but it wasn't Storyville.

No. The Big Apple was the gateway to America for millions of immigrants who brought their stories from all over the world, but it wasn't Storyville.

No. Memphis played an important rôle in the history of The Blues. Close to the Delta and on the communications 'superhighway' of the Mississippi, it was a centre for spreading early 'country Blues'; for the 'Jug Band' craze; it was where Sam Phillips' Sun Studios turned up-tempo Blues into Rock'n'Roll, and in the 60s, as the home of Stax, it was 'Soulsville USA'.

Correct. Storyville used to be the 'red light district' in the 4th Ward of New Orleans, where the 'cat houses', bars and gambling dens would usually have a piano or a small band. It was shut down by the US Military in 1917, because soldiers leaving for WWI were getting into so much trouble, so musicians left town and took their music upriver to Memphis, St. Louis and on to Chicago and up the eastern seaboard to New York.

No. The 'red light district' in Shreveport was based around Fannin Street, where Lead Belly played in the early years of the 20th Century, and where he first heard 'Goodnight Irene.