Louis Prima will be forever remembered as the voice of ‘King Louis’ in the Disney film of ‘Jungle Book’, and readers of a certain age will remember him as one of the biggest acts in Vegas during the 50s and 60s. However, in the late 30s, the swinging dance music played by his 5-man ‘gang’ was very close to the Jump-Blues and R&B that dominated the airwaves, juke-boxes and charts a decade later. Louis’ distinctive, slurring, scat vocal delivery was also a blueprint for a lot of singers who came after him.
‘Jump, Jive and Wail’ had audiences on their feet;
In 1936, Louis wrote and recorded ‘Sing, Sing, Sing’, and when Benny Goodman recorded it the following year it became a big national hit and a swing standard. The band were kept busy with tours and residencies, gradually growing into a full orchestra again as The Jump Band, and Louis was invited to play at The White House. WWII meant that musicians were drafted and recording halted, but when hostilities ended, Louis had big hits with records like ‘Angelina’ and ‘Please No Squeeza Da Banana’ and other up-tempo dance tunes. Louis met and (as soon as his latest divorce came through) married Keely Smith, a great singer whose stage-act was to play the ‘ice-queen’ while Louis leapt and cavorted around her, playing his trumpet and singing in that unique, swaggering voice. Louis also recruited New Orleans sax-player Sam Butera to form his tight little band The Witnesses, and they began playing regular lucrative seasons in Las Vegas. A record deal with Capitol produced some of Louis’ most enduring material, including ‘Just a Gigolo’, ‘I Ain’t Got Nobody’ and ‘Jump Jive and Wail’, earning Grammys and eventually an appearance at JFK’s Inaugural Gala. Despite starring together in the Hollywood film ‘Hey Boy, Hey Girl’, Louis and Keely’s marriage fell apart, so he recruited 21-year-old Gia Maione to take her place, but her singing didn’t earn any money for his new Prima-One Records.