New York City is not typically recognized as a fertile ground for blues performers. While the blues is and has always been alive in the influence of many jazz greats who cut their teeth in the Big Apple (Billie Holiday, Lester Young and Charlie Parker come to mind) the slick and sophisticated city known for never sleeping doesn’t seem like a place likely to produce a down-home, raw charmer like Robert Johnson or B.B. King. But Sari Schorr seems to be on a mission to change all that.
Delta of the East
Schorr’s family background was also unusual for someone who later made a living as a blues singer.
Fortunately, whatever her parents lacked in blues-friendly talent, they more than compensated for in taste. Shorr recalls a house always filled of music. Ray Charles and Frank Sinatra were family favorites.
Thus young Sari, according to family lore, was singing before she could walk.
Young Lady Sings the Blues
Schorr’s early influences were jazz and blues singers such as Billie Holiday, Ma Rainey and Bessie Smith. Inspired by these ladies and their passionate and courageous battles against the injustices of their time, the blues became her favorite genre as well as the focus of her singing life.
One of Schorr’s earliest bands came from the legendarily rough South Bronx. Not surprisingly, she has her share of strange and dangerous experiences. She recalls hearing the occasional gunshot between songs at one club. But another iconic New York venue helped paved the way for this stunning singer.
The next step in Schorr’s journey was becoming a full-time professional musician. Not an easy transition as singing for your supper is a difficult task even for someone as amazingly gifted as her.
This meant making tough choices, including not taking jobs there were offering “Real money.” She adds, “I had to accept that going into music full-time meant I’d probably not get on my feet financially for a while – if ever.”
World wild Blues
Schorr also confirms that not only are blues being played all over the world, but audiences from overseas are developing a strong appreciate for it. “There is a big market for blues in Europe. Many of the festivals are in the most picturesque locations and I’ve always loved working in Europe. But, I find there is just something very special about a blues audience, no matter where you are.”