TOMMY RIDGLEY

Tommy Ridgley was a big noise in New Orleans in the early 50s when the music coming out of the Crescent City was making the whole world dance. The swinging vocals Tommy put over those driving sax and piano melodies and Big Beat rhythms caught the mood of the time. Many of his contemporaries went…

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HADDA BROOKS

In the years after WWII, when Jump-blues and Boogie-woogie were transforming popular music, Hadda Brooks was a glamorous West-coast pianist who could thump out a boogie or croon a Blues ballad with the best of them. She went on to a career in film and TV, then staged a comeback in the 80s that earned…

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BEN HARPER

Modern Blues players find appreciative audiences all over the world, and Ben Harper has travelled a long way from his local club scene in the last two decades singing his incisive, modern songs. He uses traditional Folk and Blues forms to address contemporary issues in his songwriting, and his guitar work, especially when he plays…

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BOOZOO CHAVIS

When accordion player and singer Boozoo Chavis came out of ‘retirement’ in the 80s, he brought with him a primitive zydeco style that took the music back to its roots. His rowdy, knockabout stage act and hypnotic single notes and triples on the accordion showed the world, through films and Festival appearances, what a joyful…

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CHRIS THOMAS KING

Chris Thomas King was born to the Blues. He built a career in the 80s as an electric Blues guitarist and talented songwriter; introduced hip-hop beats and rapping fusions to his work in the 90s; and gained worldwide fame as ‘Tommy Johnson’ in the film ‘Oh Brother, Where Art Thou?’ Further feature film and TV…

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JAMES ‘Son’ THOMAS

James ‘Son’ Thomas was a Mississippi Bluesman to the core. His guitar playing, with its vigorous boogies and delicate fingerpicking passages, and his sweet-toned but heartfelt vocals, he left us with some of the deepest, dirtiest Blues of the modern era. A talented sculptor, whose work featured some macabre subjects and used items like skulls…

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PAUL ‘Wine’ JONES

In the juke-joints of Northern Mississippi, up in the hills above the Delta, people played a raw-boned, good-time Blues which lay almost undiscovered until the 90s, when labels like Fat Possum and High Water began to record the fantastic, high energy Blues player they found in the small towns up there. Paul ‘Wine’ Jones was…

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IRY LeJEUNE

Iry LeJeune is the man most responsible for making the accordion the lead instrument in modern Cajun music. In the 40s, when Western Swing music had led this regional variation of the Folk/Blues tradition in the direction of fiddles and banjos, Iry’s soulful virtuoso accordion playing took the music back to its 19th Century roots.…

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SMILEY LEWIS

Smiley Lewis was a big-voiced New Orleans guitarist who put out some great R&B records in the early 50s that sold well for him, but went on to provide worldwide hits for other artists. With Fats Domino sharing top billing with him at Lew Chudd‘s Imperial Records, the company used the pair as a ‘one-two…

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TOMMY TATE

Tommy Tate has been called ‘The Best Singer You’ve Never Heard’. Talent is no guarantee of recognition, and Tommy’s soulful voice never gained him much commercial success, but as a cult figure he is remembered with affection and appreciation. Tommy’s genre would be called ‘Southern Soul’ in The States, but in Britain his records were…

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