In the early days of electric Blues in Chicago, a lot of young musicians from the South were trying to get their songs recorded, but it was made difficult by the ‘Petrillo Ban’ on recording, which lasted for over two years as musicians fought for royalty payments for their music when it was played on radio and Juke-boxes. Floyd Jones was one of the guys trying to get started during that spell, and despite writing some great songs, it took a while for him to get something down on disc. Despite his fine voice, original songs and solid guitar work, the man could not catch a break.
Floyd plays ‘Stockyard Blues’ for a 1970 documentary, and speaks about his early career;
Over the next four years, Floyd had singles out on Vee-Jay, JOB and Chess, and his version of ‘On The Road Again’ was the blueprint for Al Wilson‘s version with Canned Heat sixteen years later. Both versions owe something to an original tune by Tommy Johnson, but Floyd’s vocal treatment also leans towards his mentor Howlin’ Wolf. Floyd made many records as a side-man, and was a fixture on the Chicago club scene, but despite a talent for songwriting, his solo career was short. In 1966, he was part of Johnny Shines‘ band, alongside ‘Shakey’ Horton and Charlie Musselwhite when they recorded for Sam Charters‘ ‘Chicago/Blues/Today’ series and, later that year, Floyd shared an album with Eddie ‘Playboy’ Taylor for Pete Welding’s ‘Masters of Modern Blues’.
Although his work often appeared on Chicago Blues anthologies, Floyd’s last recordings came in 1979 when he joined ‘Honeyboy’ Edwards, Sunnyland Slim, ‘Shakey’ and Kansas City Red on ‘Old Friends’. He continued to work the Chicago club circuit, often playing bass, until he passed away in his adopted city in 1989.