Jack Bruce is best known as the thunderous yet delicate bass player and singer in the 60s ‘Supergroup’ Cream whose short career laid a huge foundation stone in the basement of Blues-Rock. A gifted multi-instrumentalist and composer, Jack was at the heart of the London jazz and Blues scene before setting up Cream to form the cutting edge of progressive music in the late 60s. Jack went on to explore the further reaches of jazz, Latin music and several versions of the ‘power-trio’, and he continued to push boundaries until the end.
They really were ‘Sittin’ on Top of the World’ when they said “Goodbye”
By the summer of 1966, Jack, Eric and Ginger were considering forming a ‘supergroup’ and at the Windsor Festival in July, Cream made their debut. In just 28 months the band recorded four studio albums, and Jack and his lyricist Pete Brown contributed all the original material, with total sales of 35 million records. The songs were not really the focus of Cream, as each song simply provided the framework for the three virtuoso players to improvise around the theme. Blues-Rock, Metal and psychedelia all have roots in this seminal band as they took Blues standards by Robert Johnson, Skip James and Walter Vinson and blew them eight miles high. Tensions between Jack and Ginger were a big factor in the breakup, which came in November 1968.
‘Rope Ladder to the Moon’ shows Jack in an unfamiliar setting;
Jack’s first solo album. ‘Songs for a Tailor’ had drummer John Hiseman, guitarist Chris Spedding and a few guests, with Jack playing bass, organ, piano, acoustic guitar and cello. Tony Williams then recruited Jack into his all-star band Lifetime and the band recorded two albums. In 1972, the power trio West, Bruce and Laing, with Leslie and Corky from Mountain, and again two albums resulted. Ex-Rolling Stone Mick Taylor and Carla Bley formed a band with Jack in 1975 but several factors, including Jack’s personal problems, meant it didn’t take off. The ‘fifth Rolling Stone’ Ian Stewart formed Rocket 88 with some players from the 60s London Blues scene, and Jack appears on both albums, but his next major project was BLT with Robin Trower in 1981. Once again two albums resulted and then Jack was drawn to Latin music, collaborating with producer Kip Hanrahan on several projects that would result in Jack using a Cuban rhythm section in some future work.